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The film, directed by Abdellatif Kechiche, a French director of Tunisian origin widely regarded as one of French cinema's small handful of masters, is the story of a great passion between two teenage girls.

It traces their affair from flirtation through a bitter break-up and its melancholy aftermath with such force of feeling that you seem to be living their lives yourself.

Blue is the Warmest Colour. Credit: null. So overwhelmed were the members of the Cannes jury that they decided to give the Palme D'Or not only to the director, but, in an unprecedented move, to the two actresses, Lea Seydoux and Adele Exarchopoulos, as well.

The thrilled threesome were pictured on the red carpet kissing and hugging. In private, says Kechiche, Seydoux wept with joy.

A still from Blue is the Warmest Colour. Credit: Transmission Films. That was at the end of May. Then the backlash flipped into action.

Immediately after the Cannes premiere, a French film technicians' union criticised Kechiche for his ''disorganised'' approach to filming and for making demands on his crew that amounted to ''moral harassment'', a charge he denied.

At the same time, Julie Maroh, the author of the graphic novel on which the film was based, publicly criticised the film's ground-breaking sex scenes, describing them as ''ridiculous'' and questioning whether there had been any real, live lesbians on Kechiche's set.

Nothing Maroh said could douse the critics' rapture, however. Blue is the Warmest Colour was now a festival favourite, with the intensely serious Kechiche and its young stars asked to give dozens of interviews.

As their stock of stories gathered momentum, however, Kechiche began to emerge as something of a monster.

Seydoux, the elder of the two actresses at 28, was quoted at Telluride Festival as saying, to website The Daily Beast , that working on the film was ''horrible'' and that she had felt ''like a prostitute''.

In the same interview, Exarchopoulos recounted how the director drove them on during a scene of a break-up. She was hitting me so many times, and [Kechiche] was screaming: 'Hit her!

Hit her again'! Both actresses had said similar things at Cannes, when the film was in its first heady rush of success.

Talking about filming the sex scenes, the longest of which was filmed over 10 gruelling days, Seydoux said: ''It was sometimes embarrassing and sometimes illuminating, surrounded by three cameras in a very small room.

Sometimes you could spend like five hours on a scene. I felt like a prostitute. Credit: AP. She then went on to say how normal it felt, even when a model-maker came to make moulds for the silicone shields they wore over their genitals.

By the time they reached America, however, this reflective series of observations had been recast as fury. Kechiche responded with fury of his own.

Two days later, he told a press conference in Los Angeles that it was obscene for these young women to claim they had suffered.

A month later, Kechiche wrote an open letter to Rue 89 news website that appeared to accuse the ''arrogant, spoilt'' Seydoux of slander and suggested she could explain herself in court.

The website responded by suggesting he could be seen as paranoid. It's better than being called 'tyrant' or 'despot','' he snapped back. There is no question that making Blue is the Warmest Colour was intense, immersive and extremely demanding, especially for Exarchopoulos, who was only 18 and dropped out of school to make the film.

Sometimes they worked for 18 hours a day, although on other days Kechiche announced they were just going to drink coffee and talk.

The shoot, supposed to take two months, took five. Skip navigation! Story from Entertainment. If you haven't heard the rumblings of Blue Is the Warmest Color , get ready.

The French drama that follows the tale of two young lesbians has been at the center of praise and controversy since premiering at Cannes this past summer.

The actresses have since spoken out about what they feel was mistreatment from Blue 's director, as well as their level of discomfort in filming the nude scenes.

While nobody is doubting their criticism, Posture Magazine decided to get to the bottom of the sex scene itself. Editors filmed gay women watching the infamous tryst to gauge their reactions.

Then, viewers dished on the movie's accuracy — and, more importantly, its level of hotness. The consensus seems to be that while racy, the scene in question is decidedly over-the-top.

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Griffith made The Birth of a Nation , it was accepted in the culture at large that white actors could appear on screen in blackface. Could Blue Is the Warmest Color amount to a case of straight actresses doing, in essence, the same thing?

But that, I think, is not what this controversy is really about. They cast a hot-and-heavy spell. Their faces, their bodies — the ravishing tableau of sensuality that they create begins, in no small part, with how they look.

But really! Would Blue Is the Warmest Color be a better movie if the two women in it looked like the actresses in the scruffy, groundbreaking lesbian mumblecore drama Go Fish?

Not everyone in movies has to be beautiful, of course, but one of the primal reasons that we go to the movies is to look at beauty. Or are they 'male gaze' porn?

Are the sex scenes in 'Blue Is the Warmest Color' artful? The actresses were apparently unhappy with the director's methods. And now Kechiche has said that his prize winner should not even be released.

Since then I've felt humiliated, dishonoured, living with a curse One thing is certain, ever since the Cannes premiere of Kechiche's loose adaptation of Julie Maroh's graphic novel about two young lovers, the actresses have been the most talked about couple in film.

Not least because of a six-minute- sex scene, which left many critics wondering if the action was simulated or not. Off-screen, the actresses have clearly become firm friends.

While waiting to interview Seydoux, 28 and Exarchopoulos, 19, I can see them locked arm-in-arm, sharing gossip and sniggering. They tell me that the acclaim for the film has calmed their nerves somewhat following a difficult and turbulent six-month shoot.

We did takes, just of the moment that we crossed paths. And then he became crazy. He took the monitor, and was like, 'Oh my God!

By now everyone who works with Kechiche — whose previous films include the excellent The Secret of the Grain — knows what to expect.

When I decided to make the film, I knew that it was going to be hard. I think I wanted that. I wanted to see how it was to go this far.

Those who have only seen Seydoux's turns in the American films Mission: Impossible — Ghost Protocol and Midnight in Paris are in for a great surprise, as she shows acting chops that were only briefly on display previously in Ursula Meier's Sister.

In person, she is very shy, but there is no sign of that on screen, where she plays a powerful, blue-haired lesbian who becomes the object of affection for an innocent young student.

In real life, it's Exarchopoulos who is the more boisterous and outspoken. Having come out of nowhere, she is now being touted as an outside bet for an Oscar nomination.

None of the films where she has a prominent role have been widely released in the UK. She auditioned many times for this role, as the director tested out every budding actress in France.

In the comic book, her character is called Clementine. So one day Abdellatif asked me if it would bother me to keep my own name for my character.

So we just kept it. The actresses didn't know each other before filming began. We were embarrassed. And he shoots for such a long time, I was thinking, 'Man, you can stop there!

Was there anything that she refused to do? You have something to protect and tape it under. I don't make love on screen. We can fake these things, you can't fake feelings, but you can fake body language.

It's better than being called 'tyrant' or 'despot','' he snapped back. There is no question that making Blue is the Warmest Colour was intense, immersive and extremely demanding, especially for Exarchopoulos, who was only 18 and dropped out of school to make the film.

Sometimes they worked for 18 hours a day, although on other days Kechiche announced they were just going to drink coffee and talk.

The shoot, supposed to take two months, took five. Individual scenes were done dozens of times. Kechiche thinks he amassed hours of footage.

He didn't just shoot on set, either. Exarchopoulos woke on a train to Lille after a day off to find he was filming her, whereupon he instructed her to go and buy some snacks and eat while he filmed.

Sometimes it seemed to her she was spending whole days crying. It was Seydoux, despite being racked by her own doubts - ''Sometimes I'd go: 'I'm so shit; I am such a bad actress''' - who coaxed her through it.

I know it's so hard for you, but you will see, the film will be great and you will have a lot of success with it'.

To declare that there were times they wanted to give up, even that they wouldn't want to go through it again, is not an indictment.

Speaking to The Guardian in November, Exarchopoulos confirmed that ''this film is the best thing I have done in my life''.

To me, she said: ''I don't know whether it has really changed me, but it's made me develop and grow. I think I have become grown up and mature.

The public feud between the Palme D'Or winners, however, was to have a few more twists. By the end of September, after another triumphant outing at the Toronto Film Festival, Kechiche was telling the press the film should never be released because it was ''too sullied'' and it would be impossible for anyone to view the film ''with a clean heart and a watchful eye''.

The stories about him, he told French magazine Telerama , had left him feeling ''humiliated, disgraced. I felt a rejection of me; I live like a curse''.

Although this comes not from Kechiche himself but from Exarchopoulos, there have been racist jibes on the internet about an Arab persuading young French girls to take off their clothes.

There was another round of interviews for Blue is the Warmest Colour in London before it opened in November. An interviewer for The Guardian saw Exarchopoulos greet Kechiche warmly in the corridor as they went to their respective interview rooms and asked whether the feud had been exaggerated.

Kechiche's problem, she said, was his naivety.

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